If there is something people did not expect from Tory Lanez, it is that he would shoot Megan Thee Stallion in the foot, but since he already did that, he decided to do the next least expected thing and make his latest album 1980s themed synthpop. Most people know Lanez for his rapping ability, but “Alone At Prom” shows a side of Lanez’s vocals that has only been previously seen in short glimpses. 

Throughout the album, Lanez is predominantly a singer with a healthy dose of voice effects that accompany the fast-paced and elaborate instrumentals that match the ‘80s vibe of the album. It also contains extra corny song titles like “Enchanted Waterfall,” “Pluto’s Last Comet” and “Lavender Sunflower” that add to the portrayal of the ‘80s concept. As the title suggests, the album is about heartbreak with songs like “Pink Dolphin Sunset,” “Lady of Namek” and “The Color Violet” (among others) all very explicitly about the pain that can come from a crush or a relationship.

The best songs on the album include “Enchanted Waterfall,” “‘87 Stingray” and “Hurt From Mercury.” The first song, “Enchanted Waterfall,” sets the tone for the album letting listeners know to strap in for this roller coaster of emotions. The song is a blend of powerful instrumentals and emotional lyrics paired with the chorus melody sampled from George Michael’s 1984 song “Careless Whisper.” This is not the only time Lanez pulled inspiration from a classic ‘80s pop song, he also borrows rhythms from Rick Astley’s “Never Gonna Give You Up” on “Pluto’s Last Comet.” 

“‘87 Stingray,” which is one of the few songs that does not focus on heartbreak, features an ultra-energetic dance instrumental and outstanding melodies that grab listeners’ ears. This combination generates an almost immediate head bop or toe-tap that continues for the entire two minutes and 20 seconds. When listening in order, the next song is “Hurt From Mercury” which produces a beautiful contrast between the highs in the previous song and the lows of the current. It is somber and fast-paced for a sad song, giving it the effect that Lanez is trying to portray what it feels like to spiral out of emotional control. 

Overall, Lanez’s attempt at an ‘80s themed album is a success. It is a well-produced project full of appealing instrumentation and lyrics that are sure to connect to the audience in some way, whether that is through the highs “‘87 Stingray” and “Last Kiss of Nebulon” or the lows of “Hurt From Mercury” and “Enchanted Waterfall.” WIth this album, Lanez proved his versatility as a singer after being primarily known as a rapper.